Even with a busy schedule, Andrew
Kim ’26 always finds a way to pursue
his passion: singing. Kim began to
sing at the age of 10, and ever since,
music has shaped who he is. Through
years of choir and singing with his
acapella group, Around 8, as well
as Studio Vocals, he has grown and
discovered a supportive community,
helping him find his voice. He plans
to carry his passion with him to
college, where he hopes to join an
acapella group.

**How did you start singing?**

I started singing in elementary
school. It was a requirement for
Community Park. At first I didn’t
really think much of it. It was more
like my parents told me to do music,
and so I did it. But then going to high
school, this is where Mr. Metallo
opened my eyes to singing. I had so
much fun freshman year. And that’s
when I started doing more singing.

**Do you have any favorite songs? If so, what are they?**

We had a song for Studio Vocals. It was called “I’m Gonna Live Until I Die.” Even
though I just sang the bass part, like the supporting track, it was so much fun, and I
had an amazing time.

**Who is your favorite artist?**

Right now, I’d say Grant Perez. I really enjoy his music when I’m studying. It has a
nice, relaxing vibe.

**What is your favorite genre of music? Why?**

To sing, I’d say jazz. I think it suits my vocal range, so it sounds better. I [also] listen
to jazz, but when I’m doing work or exercising, I like to listen to pop.

**What is your favorite memory of being in the PHS Choir?**

My favorite memory is definitely going on the trip to Italy. We got to perform at many
Gothic buildings. It was so cool to sing with the university students. It was really cool
to embrace the culture.

**What is has your experience in
Around 8 been? When did you
join? What inspired you to join?
What is your role?**

I joined sophomore year. My sister
recommended it to me because she
thought I’d enjoy it, and I really do
enjoy it. This year I’m going to be
the music director, so I’ll be leading
the group. Usually we have two hour
rehearsals twice a week. We will
start off with getting to know each
other and catching up, then we do
vocal warm ups, and then, we get
into practicing our songs. We have
our back to school performance on
September 25, so we’re formulating
the songs we want to choose. We
usually choose by voting, so each
member gets to vote on songs they
like after hearing them.

**How do you balance school and
music?**

It’s important to be punctual
because when you have a lot on your mind, you can’t really focus on one thing since your
mind gets dragged around. Speaking from my sophomore and freshman year experience,
managing school and choir was not that big of a burden, especially because I didn’t take
that many APs. Junior year was when it really started kicking in, so I struggled a little bit.

**Any advice you would give to younger singers?**

I think [you] should just try it out and see how you like it. I think for singing, as long
as you like it, you can be good at it. I remember in freshman year, I really didn’t think I
was adamant auditioning for Around 8 because I knew that there were so many more
talented singers compared to me, but I’m glad I took that risk. And so I think for younger
singers, you should definitely take that risk, and have a little faith in yourself.

**Will you continue to sing after you graduate?**

I would definitely continue to sing after graduating. I have a lot of interest in college
acapella groups because they’re pretty cool. I might try that out. But other than that,
I’m not sure if I’ll really pursue a career in music, although I really enjoy it. I think it’s
more of a hobby than a career.

photo: Katherine Chen

Andrew Kim ’26 sings “Back to Black” by Amy Winehouse, one of the songs in Around 8’s repertoire.

Student artist of the month: Andrew Kim ’26 

As a child, Sylvia Schreiber ’26
would sit at the dining room table
for hours, happily doodling with
crayons. Though she’s transitioned
from crayons to watercolor and
gouache, the importance of art in
her life has stayed the same. In her
time at PHS, her illustration work
has included t-shirts, programs, and
this year’s school-issued planner.
She’s currently compiling pieces for
her portfolio as part of applications
to art school, where she hopes to
further expand her artistic abilities,
preparing her to eventually work as
an artist professionally.

**What childhood experiences
shaped you as an artist?**

I remember when I was little my
mom would put me to bed and then
I’d get up and turn my light on and
start drawing — I was trying to
copy the cover of one of my picture
books because I loved it so much.
And then my mom would come and
be like, “Sylvia, go to bed.” Picture
books really inspired me to create
art when I was younger.

**What are you drawn to depicting in your art?**

 Anything in the natural world is my go-to. I like things with patterns, so obviously
nature has a lot of patterns, but also architecture ... I like to push myself to draw new
things a lot of times, but I would say nature is a big one ... I feel like the repetitive motion
of drawing the same thing over and over again is definitely calming.

**What mediums do you work with?**

I work in 2D mostly; that’s what I’m most comfortable in. But within that, I do a lot of
stuff. Drawing, painting, and printmaking are the three that I do the most. I love watercolor.

**Are there any mediums that you’re experimenting with right now?**

I’m trying to do more printmaking. I really like printmaking. I’ve been doing some
classes at the Arts Council on linocut and stuff like that, and I think why I like it kind of
ties back to the patterns — you can
print it over and over again. And I
just like the look of print making,
so I’m trying to do more of that
right now in my portfolio and just
also for fun.

**What are some of your
inspirations and influences?**

My sister, just her being in art
school and all of her friends, I follow
them all on Instagram and I get to
see all of their amazing work and
sometimes I’ll take an idea from
there ... Having my sister in art school
is really cool to see, because it’s, like,
whoa, that could be where I am in
a couple years. Barbara de Lorenzo,
she works at the Arts Council ...
She illustrates children’s books, and
she mostly works in watercolor,
so she’s helped me a lot with my
watercolor abilities. When I paint
with watercolor, I’m channeling
Barbara DiLorenzo. She’s definitely
helped me grow as an artist.

**What’s your artistic process?**

 I have a sketchbook at home that’s really just whatever comes out ... A lot of times,
when I’m feeling like I want to do something art-related, I’ll just sit down with that and
just write or draw, or do whatever is inspiring me at the moment; I’ll try to get it down
on paper ... So then when I know what I’m going to do for my project, it comes with
some trial and error ... So I do a lot of practice sketching. And then I’ll try to see if I
have materials at home or if I need to get some from the Arts Council ... You just have
to start and challenges always arise ... It’s kind of inevitable that at some point, you’re
going to be like, this is terrible. But more times than not, it’s not terrible and you just
need to work through it.

**What goals do you have for yourself in your art in the future?**

I want to get into an art college and I want to just enjoy that to the best of my ability
without having to think too much about what exactly I’m going to do with art after
college. I just want to really explore my own style and develop my own style as an artist
... Even as art becomes my work, I also want to just keep enjoying it.

photo: Charley Hu

Sylvia Schreiber ’26 sketches to plan out a print for her art school portfolio.

Student artist of the month: Sylvia Schreiber ’26

With the start of another school year, yet another group of
sophomores are looking for ways to fulfill their community
service hour requirement. Many community services
programs are offered at Princeton High School, focusing
on topics such as tutoring, health, and the environment.
However, there are also a variety of arts community service
programs at PHS.

The Arts Council club provides an opportunity for
students to work together on projects such as decorations
for the school and cards for senior centers or hospitals. For
example, during the winter, the club puts up snowflakes to
heighten the festivities.

In addition, the club also collaborates with the Arts
Council of Princeton by volunteering at events and camps
that the council hosts.

“During camps ... we assist with cleaning, with [art] skills,
and just talking with the children. Children as young as
kindergarten all the way through middle school [come to the camp], and our goal is just to spread
art [to them]. A lot of the people that are
in the club are interested in art, and we
want to give back to the community,”
said Vanessa He ’27, one of the leaders
of the Arts Council club.

While the Arts Council club focuses
on giving back to the community, it also
brings together community at PHS.

“While we [work together], people
are also talking. And I think that’s also
another way for people to connect with
peers, not just the whole community
itself,” said He.

Another arts community service at
PHS is School Beautification. A newly-
formed club, their goal is to improve
the appearance of
PHS in order to create a more welcoming
environment for both students and teachers.“Art creates a welcoming environment
because ... abstract shapes and colors
usually inspire creativity among people
and individuals. Seeing art every day
makes the space look less monotone
and [industrial-like]. Instead, the more
creative, welcoming environment would
help students be more productive,” said
co-leader Lucy Wang ’27.

The club also hopes to expand the scope
of their projects in the future.

“I also hope that in the spring we are able
to collaborate with some other community
service organizations to hopefully plant
flowers, or [install] plant pots inside the
school,” said Wang.

The service project Make Your Mark
has a different approach to helping the community. Focusing on creating crafts such as jewelry
and clay keychains, the program donates all the handmade
crafts back to the Rise organization.

Rise, a nonprofit social support project based in central
New Jersey, helps the community through food pantries,
thrift stores, and educational programs. In addition to
making crafts, the club also organizes volunteering and
crafts events for the community.

“We plan to bring arts and crafts opportunities to our
community through hosting crafting events at Princeton
Public Library,” said Jessica Zhang ’26, a co-leader of Make
Your Mark. “We [also] organize volunteering opportunities
at [Rise’s thrift store], helping to work and manage the store.”

Overall, while the main purpose of each community
service project is to give back to the community, members
also find themselves connecting and bonding with each
other and the community.

photo: Katherine Chen

Vanessa He ’27 and Kenzie Miller ’27 talk to a student about the Arts Council club.

A guide to arts-related community service programs

A K-pop girl group fighting a hot demon boy band for the fate of the world? When I first heard the premise of “KPop Demon Hunters” from my sister, I laughed it off. After much insistence, I reluctantly sat down and watched what would become the cultural phenomenon of the summer. But it wasn’t just a stroke of luck that the movie was such a massive hit. 

For me, the true magic of the movie wasn’t its punchy animation or catchy songs, but its incorporation of Korean culture. My reluctance came from a disappointing experience with another animated movie released over the summer, “Elio”: just another generic plot and recycled animation style. 

However, “KPop Demon Hunters” pulled me in because it went beyond using Korean culture as just another trendy aesthetic. Director Maggie Kang’s nine years of research is evident throughout the movie, referencing Korean mythology as well as lesser-known Korean dishes. For example, protagonists Rumi, Mira, and Zoey, collectively known as Huntr/x, try to save the world from demons by sealing them through the “Honmoon” with their songs. The idea was taken from Korean muldang dancers, women who perform protective rituals. Even Derpy and Sussie, the internet-famous tiger and magpie duo, were designed after minhwa, Korean folk art. 

The highlight of the entire movie for me came towards the end. The Saja Boys, an all-demon boy band and nemesis of Huntr/x, perform their chart topping song “Your Idol.” After my sister and I had managed to stop singing along, I noticed their outfits, traditional Korean clothes called hanbok. All of them even wore the traditional hats (gat), a detail my mother was all too happy to point out. 

Even songs from Huntr/x and the Saja Boys — fictional groups — topped the Spotify charts, surpassing very popular groups like BLACKPINK and BTS. But the movie’s ultimate success is the buzz surrounding what I consider the movie’s best song: “Golden,” which is now being considered for Best Original Song for next year’s Oscars.  

I still believe one of the main reasons behind the popularity of “KPop Demon Hunters” is because of how well it knew its audience. The movie tapped into a pre-existing interest towards K-pop and Korean culture, fueling its popularity globally. Nowadays, animation studios are finding it harder to come up with original ideas that still grab the audience’s interest. But as “KPop Demon Hunters” has shown, true connection isn’t found in generic plots, but in the heart of a cultural moment. 

“KPop Demon Hunters” slays 

How many of us have watched “The Office” too many times to count? For anyone looking for something new, we now have “The Paper,” a spinoff about a failing newspaper in Ohio struggling to reestablish itself. Through 10 episodes, each 30 minutes in length, the volunteer journalists working for the new and improved Toledo Truth Teller encounter new experiences and are filmed along the way. 

So, how are “The Paper” and “The Office” related, and how do they compare? Well, their connection is shown in the pilot episode with the return of Oscar Martinez, a former employee at Dunder Mifflin, the setting of “The Office,”  now working as head accountant for The Truth Teller. Throughout the series, there are various easter eggs and references to the show’s predecessor. However, you don’t need to be a die-hard “The Office” fan to enjoy its satiric and mockumentary-style comedy. 

In terms of style, “The Paper” has used “The Office” as a template, taking inspiration from the familiar confessional sequences, shaky footage, and reaction shots. In relation to characters, there aren’t any striking parallels. 

Like the first season of “The Office,” everything is fresh, the actors are developing their characters, the writers are testing the waters, and the show is discovering its true purpose. Since it’s already been renewed for a second season, I think we will see growth on all fronts. 

The show not only hooked me because of its resemblance to “The Office,” but as a writer myself, I was intrigued by how Hollywood would portray journalism. The characters know they live in a pretty ordinary place, but in everyday events, they find the story and make those events interesting to their readers. A great example is how two of the main characters, Ned and Mare, go mattress shopping and uncover the layers of deception involved in unfair pricing. Pulling together a cohesive story from only bits and pieces is a skill that, like them, I hope to master. Overall, the realities of journalism shown in this series is something I deeply appreciate and admire. 

However, what doesn’t need refining is the comedy. For me, one of the funniest characters on the show is Esmeralda Grand, a wacky Italian woman played by Sabrina Impacciatore. Her accent on certain words and the drama that she brings to every situation is hilarious. Whether it’s the sarcastic comments, the pranks, or the cringe-worthy moments, “The Paper” never fails to make me laugh. Often I find myself looking forward to the time in my day where I can relax on my couch and watch an episode or two and decompress.

“The Paper:” a successful spinoff 

# **Harmony Project**

The Harmony Project is a testament
to the transformative power of music,
fostering artistic skills of students while
simultaneously spreading joy to elders
at senior care centers. The project is also
part of the community service program,
allowing students to earn hours while
enjoying music.

“We’re all really passionate about music
and performing. It’s really nice to see
the people who live at the senior centers
and [how] their faces light up,” said co-
president Sarah Chen ’26.

The project is mainly student-operated,
with orchestra director Robert Loughran
being the advisor. The students reach out
to the care centers and set times for their
performances.

“[The club] is mainly led by myself, my
co-leader Sarah Chen, and our officer Ash
Nieman, though the club itself is supervised
by the orchestra teacher ... we often invite
other PHS musicians groups, such as
acapella groups to perform as well,” said
co-president Daniel Haiduc ’26.

Through the project, the students are
able to make connections not only with
each other but the people at the center.

“Last year, in the spring, we hosted Cat’s
Meow as well as Cloud Nine, which the
seniors at the senior center really enjoyed,”
said Haiduc.

The project currently consists of 10
people, including a guitarist, singers,
pianists, a violinist, a cellist, and flawtists.

“We are trying to incorporate some
chamber music, which is where you play
with people of different instruments and
you play pieces together,” said Chen. “So if
we were to do something like that, we would
probably want to hear people’s musical
levels, to be able to pair them together.”

The goal of the project is to share their
passion for music and give back to their
community in a fun and joyful way.

They meet each Friday to discuss their
plans for the performance that takes place
on Sunday. All students are encouraged to
join, and anyone interested should contact
Chen or Haiduc.

**Music Mentoring**

If you’ve ever seen a group of elementary
schoolers with instruments filing into the
PAC after school, they’re probably a part of
the Music Mentoring program. This long-
standing community service club connects
fourth and fifth grade students from PPS
elementary schools who are beginners at
an instrument with high school mentors.
Each mentor works with a small group of
kids who all play the same instrument.
A typical lesson is 40 to 45 minutes long
and consists of each mentor instructing
the kids, helping them with musical
assignments from school, and, ideally,
getting to work with each kid one on one.

“I like whenever you can actually help
one of the kids and you notice a difference
that you can tell comes from your teaching.
It’s a really cool experience. You help
someone and you know that,” said co-
leader Julian Suozzo ’26.

Both Suozzo and co-leader Seigo Iwata
’26 joined Music Mentoring as elementary
school students and became mentors
themselves once they reached high school.
The leaders agree that the program has
stayed true to its original purpose.

“It’s been providing an opportunity to
both students and also, sophomores and
juniors at the high school,” said Iwata. “It
gives high schoolers a teaching opportunity
— learning how to coach kids, to deal with
younger kids. And then the kids learn from
older and more experienced people.”

This year, Iwata and Suozzo hope to
expand the program by getting more
high school mentors invovled. As more
elementary schoolers have joined the
program in recent years, finding enough
qualified mentors has become an issue.

“There was one point where I was alone
with, like, eight kids. It was terrible. I could
not get to each one individually,” said Iwata.

Music Mentoring is open to all students
who play an instrument and would like to
help elementary schoolers develop their
musical skills. Interested students should
contact Joe Bongiovi, one of the band
directors as well as the club’s staff advisor,
or either Suozzo or Iwata.

photo courtesy: Daniel Haiduc

Sarah Chen ’26 plays the piano at the Carnegie Post Acute Care Center for the senior citizens.

Two clubs using music to serve their community

William Ponder ’25 has been involved in theater and the arts throughout
his life. Starting at his church, then taking part in productions in middle
school, Ponder has found community through his fellow cast members
and an emotional outlet through his characters. In the future, Ponder will
focus his studies on psychology at Howard University, but he hopes to
continue performing every chance he can.

**What got you started in acting?**

I always loved acting. I started acting in the church; we used to do these
little musicals and stuff. When I got to middle school, I did every single
play and musical before COVID happened. I got to high school and I
was like “I would love to be in the play,” so I did all four plays and
I really loved it. I got to meet a bunch of really cool people and I
got to really lose myself in the character.

**What was it like to start participating in school
productions?**

It was a really fantastic experience. Ms. Cameron, the
drama teacher [at Princeton Middle School], made sure that
everyone, no matter how big or small your role, was having
a lot of fun. It was such a diverse and fun experience.
Your father is an artist — did he inspire you in any way?
Both my father and my mother are really creative. My mom
creates these really elaborate quilts and my dad is a painter, so
there were these days where my sister and I would sit down and they
both would present their pieces. They were also really encouraging
me and my sister’s creative sides.

**What was your favorite high school production?**

I would say my favorite was definitely “The Play That Goes Wrong.” I did it my
sophomore year and basically the premise of the play was we try to keep having the
show go on when everything’s actually getting messed up. Our setlight collapsed at
the end. It was very fun to be a part of. I was really close to my classmates because we
had to do so many stunts and trust each other.

**How do you handle nerves on stage?**

A lot of the time my classmates and I will do these special exercises where we all
try to get the nerves out of our system. Another thing that really helps is when I
get nervous I talk really fast, so when I’m on stage I try to calm myself down.
I just remember to breathe and just talk slower because slower will not be
as slow as it sounds.

**Are there any clubs at PHS that you joined that appeal to your
creative side?**

I’m in the Multicultural Student Achievement Network and something
we did this year was the Black History Month Assembly. I really think
we were able to show our true creative sides. There was a dancing club
and a fashion show so we really were able to put our own creative sides
into that.

**If you were to give advice to someone who wants to follow in your
footsteps, what would you say?**

I would say just march at the beat of your own drum. If it seems cringe
or embarrassing, it’s totally okay. I’d rather come off as an embarrassing
person but authentic than someone who’s trying to be someone they’re not.
Whatever makes you happy, you have to do that.

Student artist of the month: Will Ponder ’25

While most students are introduced to history through textbooks, few recognize the educational value that historical films can provide. Although these films are not always historically accurate, they offer a captivating way to introduce students to the complexities in the past. By recreating stories, movie directors are able to transform historical events into engaging and entertaining experiences, bringing life to events in ways textbooks cannot. While these films may include slight modifications to the original storyline, they provide a powerful passage for students to learn about history’s most fascinating people and events.

One of the most effective ways films can teach history to students is by humanizing real events by providing personal stories. “Black Hawk Down,” for instance — set during the Somali Civil War — follows the crew of a Black Hawk helicopter which was shot down in the Battle of Mogadishu in 1993. The movie plunges students into the chaos of warfare, with soldiers fighting for their lives and losing their loved ones, showing the dangers and troubles of a soldier at battle. This helps students understand the fear that the soldiers faced during the conflict.

Furthermore, in “Selena,” a movie directed by Gregory Nava about Selena Quintanilla-Perez, one of the most famous Mexican American singers in the 20th century, students are able to learn beyond her fame and into her personal struggles. While a famous singer like Selena may appear jubilant on stage, singing and laughing with a big smile, the film sheds light on the discrimination and challenges Selena faces growing up. For example, when Selena and her sister are shopping to buy Selena a dress, they encounter an unpleasant interaction with the sales associate who discriminates against the two sisters because of their skin color. While issues with discrimination may be taught in classes, historical films like “Selena” provide firsthand experience for students to understand the troubles to a greater extent.

Similarly, “Hacksaw Ridge,” a film about Desmond Doss — a U.S. soldier who saved tens of lives during WWII without carrying a single weapon — also provides a powerful depiction of the war and prompts students to engage with the past. This movie not only teaches facts about the war, but also proposes themes like the complexity of heroism and moral conviction. By focusing on Doss, the film teaches students about conscience, faith, and perseverance.

Films also provide opportunities for students to discuss the complexities in history. Take “Schindler’s List,” for example — while it highlights the horrors of the Holocaust, it also raises important questions about morals, courage, and how power in the hands of one can influence the lives of others. The movie encourages students to consider the deeper implications behind the Holocaust, rather than observing from the surface. Teachers can use certain scenes, such as the burning of thousands of books, to spark conversations about broader historical themes such as propaganda, resistance, and consequences of discrimination. Additionally, students are also encouraged to identify what historical details are included — and left out — developing a stronger understanding of how the media portrays history. This not only enhances students’ critical thinking skill, but also their ability to analyze media literature.

In the end, historical films — while not always 100 percent historically accurate — offer a meaningful and engaging way to revisit the past. Through powerful stories and deeper discussions, movies like “Black Hawk Down” and “Schindler’s List” make historical events more accessible and emotionally resonant. When used in educational settings, these films can spark curiosity and encourage critical thinking, turning entertainment into a valuable learning experience.

Photo: Katherine Chen


After learning about the Holocaust and WWII, Mr. Campbell’s APUSH Period 2 class watches Schindler’s List.

Learning history through films

Word fun in the summer sun


Having been involved in theatrical productions most of her life, from on-stage performances in middle school to now leading the PHS Tech Crew and Spectacle Theatre, Grace Waldman ’25 finds joy in being able to manage and coordinate the technical aspects of plays and musicals, and ultimately watching it all unfold into a stunning final production for the audience. Waldman began as a member of Tech Crew during freshman year, and is now the stage manager for Tech Crew and Spectacle Theatre. Motivated by the excitement of piecing together shows and building community, Waldman plans to study technical theater in college.



**What do you do as a member of Tech Crew?**  
I’m the stage manager for PHS Tech Crew and PHS Spectacle Theater. So that means that I oversee the theater program at PHS. I would say I’m the link between the actors and the crew: it’s my job to communicate what is going on in rehearsal and let the technical designers and all the crew that we have working know what’s going on so that we can have the set work for us.  




**Do you ever encounter any issues with coordinating the theatrical productions?**  
This year is my first year as stage manager, so I stage managed “Rumors,” the fall play, and “Groundhog Day,” the musical, and I’ll probably do the choir cabaret. “Rumors” was not a very tech heavy show at all, kind of park and bark if you will. Once we got to “Groundhog Day,” it’s so technically intense and there’s so much going on at every single moment in the show. It was a lot to process and figure out, “okay, this is how I have to approach this sort of thing and this is how I have to be able to communicate,” and how I have to manage [the time spent on] my work outside of school and my work with the show with my homework and everything else … while being an assistant stage manager is similar and you get a lot of the training … you kind of just have to go in and learn, “okay, this is the way that I have to do it.”



**Did you also do theater in middle school or when you were younger?**  
[In] elementary and middle school, I did a couple of productions that my school offered. I also went to a summer camp and every year they put on a musical, so I would do that, I was an actor. I didn’t get into the tech aspect of it till high school, but I definitely think that it suits me better. I’m not one for performing on the stage. I’ll leave that to them.



**What’s your favorite part of being the stage manager?**  
Especially for the musical … the auditions are so fun because [there are] some people [that] I don’t know. They’re just coming in as freshmen and it’s so exciting to see everybody be so happy and want to join this community because theater is a really big part of my life. I’ve done it forever, and my dad is an actor and so it’s just really in the family. I also really enjoy the end of the process. Once we actually get performing and see it all come together, tech week can be really stressful and it definitely was this year for “Groundhog Day,” but it’s always so beautiful seeing everything just come together.



**Do you plan to continue this in the future?**  
A lot of the schools that I’ve applied to and that I’m thinking about have some kind of programs or the theater scene in the area is really vibrant. So I definitely think about doing it in the future. I’m not sure if I would want to pursue it professionally, although I did apply to some BFA programs. But I’ll see where the wind takes me.


Student artist of the month: Grace Waldman ‘25

Princeton is no stranger to unopposed elections. On the ballot this coming November, there will be two unopposed positions for the Princeton Council, and three unopposed seats on the PPS Board of Education. During PHS’s own 
election for student body council earlier this month, the 
seats for both student body vice president and secretary were 
unopposed. This is hardly a new phenomenon. 

For the past five years, numerous 
Princeton municipal 
leaders have won primary 
and general elections 
uncontested. The same 
can be said of many PHS 
student council positions 
for upperclassmen: every 
single student council 
candidate for the class 
of 2026 ran unopposed. 
This concerning trend 
of candidates being elected 
through no-contest undermines the 
health of democracy. 

Recent changes in student council policies only 
exacerbate these concerns: starting from the 2026–27 
school year, only students who have previously served on 
student council may run for student body positions and as 
school board liaison. The result? A reduction of an already 
shrinking field of candidates. 

When voters lose the opportunity to choose between 
candidates, they often become apathetic, causing the trend 
to continue into future elections. According to data gathered 
by Survey and Ballot Systems in 2024, there is a 39 percent 
decrease in voter turnout in non-competitive elections. 
This is reflected in PHS Student Council elections, where 
voter turnout averaged 62.4 percent in campaigns where 
all races have more than two candidates but dropped to 
24.6 percent in years with only one candidate. 

In Princeton municipality elections, voter turnout was 
57.66 percent, placing it second to last place among Mercer 
county municipalities — and voter turnout has been on 
the decline since 2016. Officials have placed emphasis on 
measures to increase voter turnout, yet the fundamental 
root cause of voter hesitancy remains the same: a lack of 
choices at the ballot box. 

Indeed, this disillusionment in the electoral process can 
be seen at the school level, too. Freshman year student 
council races often feature a wide range of hopefuls, each 
vying for a position they see as prestigious and meaningful 
in the school community. Yet just one year later, the number 
of candidates running in sophomore year races drops 61 
percent, going from about 4.16 candidates per race freshman 
year to just 1.75. When students realize that these positions 
can’t truly bring change, they may no longer be eager to 
spend time, energy, and effort to run for them. 

Participation in school elections has been found to predict 
civic engagement in adulthood, with students who vote or 
run feeling more prepared to engage 
in the same processes as adults. 
This means that disengagement 
from elections at a student level 
can lead to decreased political 
engagement through both 
running and voting in future 
democratic processes. 

Breaking the cycle of apathy, 
beginning at the local level, is 
critical. The municipality 
makes decisions daily on 
many of the most important 
policies that directly impact 
our lives. As just one instance, approving new highdensity housing projects is not a decision handed down 
from Washington, but rather taken on 400 Witherspoon St.

To address these challenges, it is time we revitalize what 
it means to win one of these positions. Whether it be at the 
school or municipal level, these positions can hold real value 
and change-making power. The real question is, of course, 
why has the ambition to serve in these roles vanished? The 
answer lies in the idea that these roles are perceived as 
lacking any real agency: student council positions simply 
serve to plan prom and town council members just rubber 
stamp predetermined policies.

So to the community, we say this: come together and 
unite behind new ideas: rally for fresh faces that break the 
status quo. Pool your minds — and funds — together, and 
perhaps you will see someone on the town council that truly 
represents you and advances the values that you care about.

To be clear, the current candidates don’t present any 
inherent flaws. But the mere fact that they have run 
unopposed for several election cycles sets the scene for 
deep-seated voter apathy.

When local governing bodies seldom have to step out of 
their comfort zone and truly connect with the community, 
the quality of our candidates falls short of what this town 
deserves. Without facing pressure to compete against 
opponents, winning candidates have the privilege of 
assuming positions with subpar effort, without the need 
to bring concrete policies to the table. 

Democracy works. But it’s not a passive form of 
government — it works only when people are active in it. 
From the forums in Ancient Greece to the record electoral 
participation in India in its recent elections, it is up to 
us — we the people — to fulfill our duty to create a more 
perfect union by demanding a choice worth voting for, 
and ceasing support for a coronation of the unopposed.

The perils of unopposed elections

The start of the new school year has brought many 
changes to Princeton High School: new teachers, new 
schedules, new facilities, and — most noticeably — new 
school-issued MacBooks. On paper, the laptops are a 
clear upgrade: faster, sleeker, and 
more powerful. But beneath that 
polish, many students have run 
into something less exciting: a 
wall of restrictions.

Last year’s devices allowed 
students a degree of flexibility 
across multiple apps. Students 
once had access to Adobe Creative Cloud — tools like 
Photoshop, Illustrator, Premiere Pro, and InDesign — 
which were heavily used by visual arts elective classes, as 
well as various clubs like Yearbook. 

When access to key academic or creative tools is blocked, 
not every student has a clear or immediate path forward 
— especially those who may not know how to navigate the 
tech support process. That gap points to a deeper equity 
issue of technological fluency — an issue that our tech 
department should work to solve, potentially by hosting 
assemblies to instruct students. Still, Dean Diana Lygas 
believes that the district is moving in the right direction. 

“There is certainly a balance that comes into play. 
[Unfortunately], that sometimes means blocking access to 
certain content that might be non-educational, disruptive, 
or inappropriate,” said Lygas. “But I love that our students 
have the benefit of receiving a school-issued computer as 
nice as a MacBook. It offers so much power and creativity 
in what students can use it for.”

However, students such as Adam Kaplan ’27 argue 
that the benefits of the investment by the school are 
significantly cut short through device restrictions.

“If you’re giving us computers this good, we should 
be doing something with them, considering [the 
district] just spent hundreds of dollars per student 
getting us these crazy computers,” said Kaplan. 

The abruptness of the technology changes have 
wreaked havoc on the workflow of not just students but also 
teachers as they have lost access to classroom technology. 
Printers, document cameras, and DVD players — each 
pieces of technology that had previously been integral parts 
of the way some teachers have conducted classes — have 
disappeared without explanation or forewarning. 
 
“Our old dock cameras [and] DVD players are gone 
... they’ve just ceased to exist ... they [are] no longer here 
in any of the rooms. [The] new technology sounds great. 
However, it doesn’t allow us to teach the same materials 
that we used to,” said English teacher Anna Soriano.

Restrictions on technology, while well-intentioned, are 
detrimental largely for the same reasons that helicopter 
parenting creates ineffective adults — people need to 
learn from failure. We implore administration to keep 
our school’s motto at the top of their mind: learn to live. 
It means — in today’s day and age — learning to live not 
just with technology but also using it appropriately as a 
tool. This requires being exposed to the technology of 
tomorrow in an environment where students can learn to 
use it effectively and to their benefit, while continuing to 
maintain an environment of genuine learning. And this 
is difficult to accomplish through the sudden removal 
of integral websites, apps, and classroom tools. PPS 
administration should strive to be transparent with teachers 
and students — the people who are most affected by such 
changes — and take their feedback when making changes.

Photo: Charley Hu

A restricted message from Mosyle appears when 
students attempt to access certain websites.

Technology restrictions hinder learning

On August 21, Assistant Superintendent for Curriculum and Instruction Kimberely 
Tew released the results of PHS’s New 
Jersey Graduation Proficiency Assessment 
(NJGPA), which revealed disparities in 
pass rates between Asian, White, Black 
and Hispanic students. The NJGPA is a 
graduation requirement administered 
annually to 11th graders, though alternatives 
exist if a student does not pass the test. 


Though PHS has been known for its 
testing disparities since at least 2005, when it 
was the subject of a New York Times article 
titled “The Achievement Gap in Elite High 
Schools,” district officials, teachers, and 
students say they aren’t giving up.


This summer, the Princeton Board 
of Education approved a five-member 
Affirmative Action team tasked with 
updating the Comprehensive Equity Plan, 
a two-part document mandated by the state 
law that outlines the district’s plan to combat 
inequalities within the education system, 
including achievement gaps. 


“The work never ends; we have to explore 
and dive into data all the time. The data 
should help us make decisions about 
[whether] there are more programming 
or services that we can provide, and ... 
when we provide it. I think one of the 
foundational pieces of all of this work is 
building relationships with our students 
and with our families. [And] the more we 
know about our students, the more we can 
... excite them in their learning,” said Angela 
Siso Stentz, Assistant Superintendent for 
Human Resources and a member of the 
district’s Affirmative Action team.


The 2025 NJGPA data showed that 74 
percent of Black students and 50 percent 
of Hispanic students at PHS met the 
graduation requirements — compared 
to Asian, White, and students of other 
ethnicities having a 92 percent pass rate 
or higher. The report did not detail the 
NJGPA scores by income level. However, 
one of the priorities for Dr. Andrea Dinan, 
the director of the IDEAS center, is for all 
students to be able to access free, highquality tutoring — a service that can be 
unaffordable for many families.


“We’re working with the Pace Center 
[for Civic Engagement] at Princeton 
University, and we’re going to have five to 
seven tutors from Princeton University on 
Tuesday, Wednesday and Thursday,” said 
Dinan. “They’re going to provide SAT [and]
ACT help and AP prep, and we’re going to 
target lower-resourced families, but it will 
be open to everyone. I think that’s one of 
the ways that it really works well — if it’s 
open to everyone, but we make sure that ... 
lower income students ... know about the 
opportunities.”


In solving an issue as complex as the 
achievement gap, teachers are playing a 
role in changing the culture within the 
classroom. PHS Social Studies teacher 
Dr. Katie Dineen is an advocate for an 
educational philosophy known as the 
Universal Design for Learning (UDL). First 
designed in the 1990s based on research 
in neuroscience, UDL advocates for a 
curriculum in which students are provided 
with multiple ways to acquire information 
and multiple ways to demonstrate what they 
know. Dineen is also working to make her 
classroom more culturally inclusive.


“You know, regardless of where [students] 
come from, and especially with AP [World 
History] being such a transitory and 
international community, there’s so many 
opportunities for students to bring their 
own family’s artifacts into the classroom, or 
their family’s perspectives or speakers,” said 
Dineen. “I think I [have] created a place for 
each student to feel as though their story 
and their origin are important enough to 
be centered in that curriculum.”


Furthermore, many clubs at PHS are 
also working on fostering a supportive 
community among underprivileged 
students. This includes Generation 1, a club 
focused on helping students who would be 
the first generation within their family to 
pursue higher education.


“I know from my personal experience, 
my mom didn’t get to pursue a further 
education, [so] I struggled a lot trying to 
figure out resources for SATs or college 
[applications] or just finding things in 
general to help me throughout my school 
journey,” said Aimy Solares-Zacarias 
’26, who serves as the co-president of 
Generation 1. “Our main goal is to just 
help provide those resources for kids who 
are [first-generation students] on their 
pathway to [higher education].”


Solares-Zacarias recalls a period of 
academic isolation within her own journey 
where she was afraid to ask for help. Today, 
she encourages her fellow students to follow 
a path similar to her own by contacting 
Generation 1 to find a community of 
academic support. 
“If anyone is reading [this] and they’re a 
[first-generation] student, I want them to be 
able to reach out to us because I know it’s 
not embarrassing or a weakness to want to 
ask for help,” said Solares-Zacarias.

Graphic: Katherine Chen

NJGPA passing versus not passing rates for different races at PHS.

The achievement gap at PHS

Last year, the PHS boys football team made its first playoff appearance since the 2014–2015 season, defying expectations and starting a new trend. The team now has had back-to-back winning seasons for the first time since the 2008–2009 and 2009–2010 seasons, while starting with wins over Lawrence and Allentown this year. 
A big part of the team’s achievements stems from the leadership of Head Coach Charles Gallagher. When he first started with the team 13 years ago, the Tigers were 0 and10, but they bounced back the next year with a winning 8 and 2 season. According to Gallagher, the biggest strength this team has compared to earlier years is greater participation and quality of athletes. 
“You’re going to be a strong football team if you have numbers. It just so happens that we’ve had some really great athletes over the past couple of years — not to say that we haven’t had really good athletes prior — but I think we just have more of them,” said Gallagher. 
The squad has 75 players consistently coming to practice, which is significantly more than in prior years, where the average has been around 50 players. 
“Nobody’s taking off, which is awesome. No one has quit. Everybody’s sticking in. Everybody’s having fun. Everybody’s getting an opportunity to play,” said Gallagher.
While a strong senior class is key for any high school football team, this year’s group of players draws its strength from all grades. Under the leadership of captains Ellington Hinds ’26 and Carmine Carusone ’26, the team is working together to maximize their potential.  
“Once we make the playoffs, we have a goal to make the playoffs again, so that overall just focuses the team even more,” said Hinds. “Even though we made the playoffs last year, it’s a new team, so there’s struggles that we have to go through.”
As the starting quarterback, Quinton deFaria ’28 understands the amount of hard work that is necessary to achieve their goal. 
“[Our goal is] just to be 1–0 at the end of every week. That’s our saying. And to achieve [this], we just [have] to continue to work hard. We’ve been doing great in the summer. We’ve been lifting, we’ve been practicing, and [staying] humble,” said deFaria.”
As the Tigers prepare for the Homecoming game and the rest of the season, they aren’t showing any signs of stopping. 
“[We have to] just continue what we’ve been doing,” said deFaria. “It’s obviously working out well for us, but we can’t take our foot off the gas just because we [started] 2 and  0. [We have to] just keep going.” 


Photo: Rohan Viswanathan

The PHS football team celebrates after their first win of the season. 

PHS football team success continues

### Whitney Davidson-Hinz

Whitney Davidson-Hinz has wanted to teach history 
since high school, crediting one of her own teachers as 
the inspiration behind her choice of career. 


“[She] changed my life and really inspired me ... I decided 
I wanted to do for others what she had done for me ... I had 
originally thought about history as a collection of facts and 
dates, and [my teacher] encouraged me to think about it as 
a discipline, the craft of a historian [as well as] a contested 
narrative that people fight over,” said Davidson-Hinz.


Over her past 20 years as a teacher, Davidson-Hinz has 
applied her craft across the country in places as wideranging as California, Iowa, and New York. However, she 
sees the Princeton community as uniquely encouraging 
towards developing meaningful connections between 
teachers and students.


“In speaking with many, many people in this community, 
I got the sense that this was a place that had a lot of shared 
values with me in terms of my own approach to teaching 
... on day one, emphasizing the importance of developing 
relationships with kids and keeping that central to my 
work was very inspiring, and you don’t always hear that,” 
said Davidson-Hinz.


This year, Davidson-Hinz will be teaching U.S. History 
I and AP U.S. History. In the classroom, she strives to 
encourage open discussion and careful source analysis, 
emphasizing the role history class plays in developing 
essential life skills.


“The skills we are reinforcing in history are critical 
toward any number of aspects of living a good life ... that 
would include the development of critical thinking skills, 
our media landscape [being] saturated with AI as well 
as misinformation ... you need to be able to distinguish 
between what’s accurate and what’s inaccurate. I think 
history [also] teaches empathy as we learn about other 
ways of life ... it gives you a way to think about why things 
are the way they are today,” said Davidson-Hinz.


Davidson-Hinz is also a singer-songwriter, and enjoys 
performing her original compositions at Open Mic nights. 
She also frequently visits national parks with her family 
and loves collecting stamps at each one for her national 
park passport.

### Prutha Patel

As a self-described adventurer and thrill-seeker, Prutha 
Patel’s newest adventure brings her from Minnesota to PHS’s 
math department to teach Geometry and Pre-Calculus 
Accelerated. Patel joins PHS after two years of teaching at 
Albert Lea Area schools in Albert Lea, Minnesota, where 
she served as both a technology teacher and robotics coach. 


“Two years ago, I was a first-year teacher and I accepted a 
role [to] teach technology instead of math. I really enjoyed 
teaching technology, [and] I was also teaching designing, 
robotics, 3D designing, [and] Python,” said Patel. “My 
students were very interested in robotics, [so] I decided to 
start a club and coach them [for robotics competitions].”


Growing up, Patel was inspired to become a teacher by 
her father, who was an educator himself. However, as an 
undergraduate at the University of Minnesota, Patel decided 
to pursue computer engineering — but later realized that 
path was not for her.


“I did take some computer classes in college, but I ended 
up liking the math part of computer science and not the 
computer part of it. So that’s why I decided to just major 
in math and become a teacher,” said Patel. 


Although Patel chose to teach at PHS for its learning 
environment, she also recognizes a certain competition 
between students that was not particularly evident at her 
former school.


“For students [at PHS], they are constantly looking 
for that competition. I think that’s the mindset that they 
have: ‘Oh, if my friend took Accelerated Geometry, I have 
to take that as well’,” said Patel. “Everyone’s different, and 
just because your friend is ahead doesn’t mean that ... you 
have to [be] as well.”


Thus, Patel hopes to create a more collaborative and 
engaging environment in her classes. 


“Oftentimes, it is working with someone and not having 
to submit any formal paper. Instead, [students are] working 
with someone on a board where ... you just have to write an 
answer. So [students are] freely thinking — and whatever 
is in their mind, they’re writing it down. It just helps them 
look at math in a different perspective.”

### Jessica Zhang

 Jessica Zhang, PHS’s newest art teacher, says she could 
have predicted half of her title — “teacher” — ever since 
she was a kid.


“I always knew that I was going to be a teacher because 
my parents always said that I was very bossy growing up,” 
said Zhang.


However, the “art” part would have come as a surprise 
to a younger Zhang.


“I was really bad at [art] when I was a kid — it was 
something that was forced onto me, so I never really liked 
it. But then I had some really good teachers in high school 
that really helped nurture my creative expression, and that’s 
where that passion came,” said Zhang.


This year, Zhang will be teaching four sections of Studio 
Art I, the introductory visual arts course at PHS which is 
the prerequisite for all other classes in the program. For 
her, one of the main attractions of PHS was its strong art 
program. 


“I was very impressed [by] the Numina Gallery and I 
was very inspired and ... very motivated to work here,” said 
Zhang. “I get to develop a lot of one-on-one relationships 
with students [and] we do deeper engagement with the 
work rather than the fast pace of elementary school.”


Zhang is a recent graduate of The College of New Jersey 
and was previously an elementary school teacher in the 
South Brunswick school district. For her, the switch, while 
noticeable, has been worth it.


“I [taught] in elementary school before this, [and] it’s very 
different. I really like [PHS] so far because I get to develop 
a lot of one-on-one relationships with students, [and] we 
do deeper engagement with the work rather than like the 
fast pace of elementary school,” said Zhang.


In her free time, Zhang hopes to continue her various 
hobbies, both artistic — stained glass, working with yarn 
and fabric — and not, like cooking and long walks in the 
park. However, her biggest passion is her students.


“[I’m] passionate about seeing students’ confidence as 
they become more familiar and they develop skills in art,” 
said Zhang. “ I would say [it’s] always [about] the connec- tions that I get to make with students.” grow ... [it’s] always 
[about] the connections that I get to make with students.” 

Photo: Charley Hu


Zhang helps Markintosh Barthelemy ’29 with negative 
space drawings in Studio Art I. 

PHS new teacher profiles

Set — everything falls silent: the cheering crowd, the music, even the pounding of her heart. The gun is about to go off, and all that matters is what lies ahead. A deep breath, then the horn sounds. She’s off, spikes digging into the track, every ounce of training fueling Lena Hamilton ’25 toward the finish line.

Hamilton has been an athlete her whole life. After 13 years of classical ballet, she switched sports in the spring of her freshman year. She chose to pursue track and field because her dad had run in high school, and following in his footsteps proved the perfect way for her to remain active. Since then, her passion for the sport has only grown. 

“I’ve always enjoyed being competitive, and I found track and field to be a very competitive discipline that I could potentially excel at,” said Hamilton.

Since being named captain in her junior year, Hamilton has strived to bring her team closer together.

“I organize pre-season workouts during the fall off season, manage the team social media, design team merch, and plan team bonding,” said Hamilton.

For Hamilton, one of the most important lessons she has taken away from her experience in track is of the value of self-sufficiency as a mechanism for improvement.

“You’ll never grow as a sprinter if you aren’t able to self-analyze and figure out what you need to do to help yourself be better,” said Hamilton. “I’ve definitely gotten better at naming my flaws and working on how to fix them.”

Before races, Hamilton likes to take a moment to herself to collect her thoughts and concentrate on her upcoming event. She finds that, when facing race-day nerves, it is critical to not doubt herself and remember just how much she is capable of. 

“I like to say prayers to stay focused on my race and to remain confident in my training and my ability
to do what I need to do,” said Hamilton.

Being a track and field athlete means rigorous training for most of the year. Being a student-athlete means coming home late from practice and immediately shifting gears to focus on schoolwork. For Hamilton, it’s crucial to find ways to prevent homework and studying for assessments from piling up.

“I balance school and track by organizing my time and assignments to the best of my ability,” said Hamilton.

To her coaches, Hamilton stands out as a positive and motivating force on the team, always working to improve her own individual performance, and that of her teammates. 

“[Lena] embraces our team’s principles of growth mindset and positive psychology, always striving to improve and encouraging others to do the same,” said track head coach Ben Samara. “Her commitment to both personal progress and the success of the team is evident in everything she does.”

Apart from being an outstanding runner, Hamilton has a notable impact on her teammates, providing feedback whenever it’s needed and cheering them on during races. 

“She’s very positive, which I think is a nice quality to have, because it gets you thinking in a different approach, [rather] than [thinking of] something negative [that could] happen,” said Madison Hamlin ’27, a sprinter on the track team. “The advice that Lena gave me was so focused on myself and how to improve myself ... She inspires me because she’s like my big sister. She has that connection that works for us.”

With already three years of track under her belt and plenty of race experience, Hamilton only has a few words of advice for her younger self: “I would tell my freshman self to sign up for track sooner.

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